/tagged/art/page/2
Etienne CliquetDon’t let the rather simple geometric images above fool you, watch the video. Using small pieces of paper (just 2-3cm wide) artist Etienne Cliquet has created delicately folded origami pieces that once placed in water begin to bloom, the result of capillary action as the paper absorbs water. Beautiful

Etienne Cliquet

Don’t let the rather simple geometric images above fool you, watch the video. Using small pieces of paper (just 2-3cm wide) artist Etienne Cliquet has created delicately folded origami pieces that once placed in water begin to bloom, the result of capillary action as the paper absorbs water. Beautiful

Etienne Cliquet

Don’t let the rather simple geometric images above fool you, watch the video. Using small pieces of paper (just 2-3cm wide) artist Etienne Cliquet has created delicately folded origami pieces that once placed in water begin to bloom, the result of capillary action as the paper absorbs water. Beautiful.

Etienne CliquetDon’t let the rather simple geometric images above fool you, watch the video. Using small pieces of paper (just 2-3cm wide) artist Etienne Cliquet has created delicately folded origami pieces that once placed in water begin to bloom, the result of capillary action as the paper absorbs water. Beautiful

Etienne Cliquet

Don’t let the rather simple geometric images above fool you, watch the video. Using small pieces of paper (just 2-3cm wide) artist Etienne Cliquet has created delicately folded origami pieces that once placed in water begin to bloom, the result of capillary action as the paper absorbs water. Beautiful

 
Fredrick McSwainDie (Tobias Wong)13,138 DiceGallery R’Pure
Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.
The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.

 

Fredrick McSwain
Die (Tobias Wong)
13,138 Dice
Gallery R’Pure

Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.

The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.

 
Fredrick McSwainDie (Tobias Wong)13,138 DiceGallery R’Pure
Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.
The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.

 

Fredrick McSwain
Die (Tobias Wong)
13,138 Dice
Gallery R’Pure

Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.

The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.


Fredrick McSwainDie (Tobias Wong)13,138 DiceGallery R’Pure
Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.
The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.

Fredrick McSwain
Die (Tobias Wong)
13,138 Dice
Gallery R’Pure

Canadian artist and designer Tobias Wong died last year at the young age of 35, or more specifically, 13,138 days. In tribute, his friend Frederick McSwain created this immense portrait of Wong entitled Die using 13,138 dice as part of the BrokenOff BrokenOff exhibition at Gallery R’Pure in NYC in memoriam to the artist during NY Design Week. McSwain via Core77:

The idea of a die itself was appropriate—the randomness of life. It felt like [a medium] he would use. Because [Tobias] was a very street-level force, I thought it was appropriate [to install] the portrait on the floor. Its not something I wanted to suspend on the wall; I wanted it to be right there on the floor where you almost interact with it.

The idea of every decision you make and everything you’ve done in your life, defines who you are. All of those days symbolically makes up the image of Tobi.

The dice were first meticulously organized into individual sheets of 361 pieces and then laid to rest free on the floor without adhesive. The time lapse above shows the process in detail. A big thanks to Frederick for providing the photos of Miller Taylor for this post.

Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

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Aesthetic geographies presented by Nathaniel Wojtalik.

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