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Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick GentryNick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.
His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.
This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Nick Gentry

Nick Gentry is a British graduate of Central St Martins and has exhibited in the UK, USA and Europe. As part of a generation that grew up surrounded by floppy disks, VHS tapes, polaroids and cassettes, he is inspired by the sociological impact of a new internet culture.

His portraits use a combination of obsolete media formats, making a comment on waste culture, life cycles and identity. Using old disks as a canvas, these artefacts are combined to create photo-fits and identities that may draw connections to the personal information that is then forever locked down underneath the paint.

This has led to an exploration of the ways in which humankind is integrating with technology. As it reaches a tipping point, this new movement is becoming increasingly apparent as a cultural and social transition of our time. Will humans be forever compatible with our own technology?

Kim GordonPussy Galore KG1002009watercolor on paper60 x 40 in152.4 x 101.6 cm

Kim Gordon
Pussy Galore KG100
2009
watercolor on paper
60 x 40 in
152.4 x 101.6 cm

Kim Gordonuntitled KG 0742009watercolor on paper12 7/8 x 9 1/2 in32.7 x 24.1 cm

Kim Gordon
untitled KG 074
2009
watercolor on paper
12 7/8 x 9 1/2 in
32.7 x 24.1 cm

Kim GordonNoise Nomads KG1002009watercolor on paper60 x 40 in152.4 x 101.6 cm

Kim Gordon
Noise Nomads KG100
2009
watercolor on paper
60 x 40 in
152.4 x 101.6 cm

Landon MetzUntitled2011 18”x24”

Landon Metz
Untitled
2011
18”x24”

Landon MetzUntitled2011 18”x24”

Landon Metz
Untitled
2011
18”x24”

Landon MetzUntitled2011 18”x24”

Landon Metz
Untitled
2011
18”x24”

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Aesthetic geographies presented by Nathaniel Wojtalik.

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